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Le présent ouvrage qui reprend partiellement la thèse de doctorat de l’auteur, Peter Paul Rubens et la France 1600-1715 soutenue en 2002, étudie les rapports riches et complexes qui s’établirent entre le peintre flamand et la France d’Henri iv et de Louis xiii. Des premiers contacts noués à l’occasion du voyage entrepris par l’artiste vers l’Italie au printemps 1600 jusqu’à sa mort, à Anvers, en 1640 sont successivement abordées la question des relations entre Rubens et ses différents « patrons » français et celle des conséquences des activités diplomatiques de l’artiste sur sa carrière française. À travers le regard de Rubens et le regard porté sur Rubens peintre et décorateur génial, concepteur de la Galerie Médicis, érudit, diplomate et courtisan, se dégage un portrait riche, foisonnant et parfois inattendu de la France des arts, des lettres et de la politique sous Louis xiii.Ce travail qui fait date par son ampleur, s’accompagne d’une analyse très complète de ce qu’il est convenu d’appeler la « réception » de Rubens et de son œuvre dans notre pays entre 1600 et 1640, à travers une étude de sa fortune critique, de la diffusion de son art par l’estampe, des premiers collectionneurs des tableaux et esquisses du maître en France et enfin de « l’influence » exercée par la peinture de Rubens sur ses collègues français.

Arts & Humanities --- art --- peinture --- Rubens diplomaat --- Rubens, Peter Paul --- France

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Wallace Stevens, Poetry, and France offers the first book-length study of the various effects–poetic or prosaic, serious or comic, strange or familiar–produced by the deployment of French languages and cultures in Stevens’ poetry. Prominent Stevens scholars reexamine here a number of key issues, from angles as diverse as translation studies, aesthetics, linguistics, comparative literature, French theory, and politics, raised by Stevens’ special relation to France around the writing of poetry.

figures [representations] --- Théorie de la figure humaine --- physiognomy --- pattern books --- Rubens, Peter Paul --- Aveline, Pierre --- Aesthetics of art --- Human figure in art --- Rubens, Peter Paul, --- Aesthetics --- human figures [visual works] --- Anatomy, Artistic --- Proportion (Art) --- Early works to 1800 --- Human figure in art - Early works to 1800 --- Anatomy, Artistic - Early works to 1800 --- Proportion (Art) - Early works to 1800 --- Rubens, Peter Paul, - 1577-1640 - Aesthetics --- Aesthetics. --- Human body in art --- Art --- Composition (Art) --- Figurative art --- Figure drawing --- Figure painting --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- poetry --- Wallace Stevens and France --- translation and aesthetics --- Morphopsychologie --- Visage dans l'art --- Rubens, Peter Paul, - 1577-1640

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Rubens, Peter Paul --- Barok (stijl) --- Baroque (style) --- Rubens, Pierre Paul --- #gsdbA --- Rubens --- 17e eeuw --- 736.5 --- Barok --- Pieter Paul Rubens --- Schilderkunst --- 750 )* SCHILDERKUNST --- Rubens, Pieter Paul --- schilderkunst --- Barok en rococo (17e en 18e eeuw)

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Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.

Art --- art market --- Economic relations. Trade --- auctions --- anno 1700-1799 --- anno 1800-1899 --- Netherlands --- Paris --- Art dealers --- Painting --- Painting, Dutch --- Painting, Flemish --- Oil painting --- Painting, Primitive --- Paintings --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Marketing --- History --- Economic aspects --- Kunsthandel. --- Kunstmarkt. --- Malerei. --- Niederlande. --- Paris. --- Graphic arts --- Dealers (Retail trade) --- Arts --- Aesthetics --- Paris (France) --- Parijs (France) --- Pařiž (France) --- Parizh (France) --- Париж (France) --- Parigi (France) --- Bārīs (France) --- باريس (France) --- Lutetia (France) --- Paryż (France) --- Párizs (France) --- Parisioi (France) --- Parisi (France) --- Παρίσι (France) --- Parys (France) --- Parij (France) --- Parĩ (France) --- Bali (France) --- Pa-lí (France) --- 巴黎 (France) --- Horad Paryz︠h︡ (France) --- Горад Парыж (France) --- Paryz︠h︡ (France) --- Парыж (France) --- Парис (France) --- Parighji (France) --- Pariggi (France) --- Pariis (France) --- Париж ош (France) --- Parizh osh (France) --- Parizo (France) --- Páras (France) --- Paarys (France) --- Pâ-lì-sṳ (France) --- 파리 (France) --- Palika (France) --- פריז (France) --- Lutèce (France) --- Seine (France) --- Commerce --- City of Paris --- Art, Primitive --- kunsthandel --- revolutie, revolte, opstand --- oude meesters --- Ancien Régime --- Lebrun, Jean-Baptiste-Pierre --- Poussin, Nicolas --- Rubens, Peter Paul --- 17de eeuw --- 18de eeuw --- 19de eeuw --- Parijs --- Nederlanden --- Italië --- Groot-Brittannië --- kunsthandel. --- revolutie, revolte, opstand. --- oude meesters. --- Ancien Régime. --- Lebrun, Jean-Baptiste-Pierre. --- Poussin, Nicolas. --- Rubens, Peter Paul. --- 17de eeuw. --- 18de eeuw. --- 19de eeuw. --- Parijs. --- Nederlanden. --- Italië. --- Groot-Brittannië. --- auctions [sales events]

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De Rossaert is een middeleeuwse huisje in de Nosestraat, aangevleid tegen de Sint-Pauluskerk aan. Het telt een museaal aanbod van Rubens, Van Dijck en Jordaens. Tegelijkertijd kijkt de vitrine uit op de (ooit) bonte veemarkt en zag het meisjes van lichte zeden en zeebonken stoeien in het Schipperskwartier. Langs de Rossaert passeerden dandy's, gelukzoekers, schrijvers en kunstenaars, van Eugène Delacroix tot William Turner, van Gérard de Nerval tot Baudelaire. Dit boek vertelt de geschiedenis van de buurt, de voorbijgangers en hun impressies.

urban history --- History of Antwerp --- Leys, Henri: Bezoek van Albrecht Durer in Antwerpen in 1520, 1855-1855 (2198). --- Stedelijke geschiedenis. --- Geschiedenis van Antwerpen. --- Dyck, van, Henri: Interieur van het oude museum, 1886-1886 (1141). --- Leys, Henri: Huizen op de Handschoenmarkt, 0000-0000 (1235). --- Mols, Robert: De rede van Antwerpen, 1878-1878 (1108). --- Linnig, Willem II: Antwerpse bruiloft, 0000-0000 (1344). --- Wouters, Rik: Liggend naakt (1915), 1915-1915 (3309/9). --- Rubens, Peter Paul: Aanbidding door de koningen, 0000-0000 (298). --- 71(493) --- Stedenbouw. Ruimtelijke ordening ; België --- 7.049 --- Steden ; Antwerpen ; wijken ; huis de Rossaert en omgeving --- Thema's in de kunst ; huis Rossaert in Antwerpen --- Havensteden ; Antwerpen ; Schipperskwartier --- Iconografie ; verschillende onderwerpen --- Antwerp (Belgium) --- Anvers (Belgique) --- History --- Histoire --- Belgium --- Geschiedenis van Antwerpen --- stedelijke geschiedenis --- België --- cultuurgeschiedenis --- prostitutie --- stadsgezichten --- stadsleven --- Rossaert (familie) --- Antwerpen --- Literatuur, muziek en beeldende kunst/grafiek (kennisdomein) --- Socioculturele geschiedenis na 1830 (kennisdomein) --- cultuurgeschiedenis. --- stadsleven. --- prostitutie. --- stadsgezichten. --- antiquariaat Rossaert (Antwerpen). --- Rossaert (familie). --- Antwerpen. --- Art --- Painting --- Cities --- Book --- antiquariaat Rossaert (Antwerpen)